1959年，已是功成名就的小说家伊上洪作（役所广司 饰）刚刚探望过生活在汤岛老家的双亲，返回位于东京妻儿环绕的家中。此时，妻子美津（赤间麻里子 饰）、长女郁子（ミムラ 饰）、次女纪子（菊池亚希子 饰）正马不停蹄地在伊上最新的小说上盖章，这或许是所有畅销书作家的家人必做的重要工作。只是，在忙碌的家人中间，独独不见小女儿琴子（宫崎葵 饰）的身影。对于这个把自己关在房间里连晚饭时间都不下楼的女儿，洪作心中充满不满。深夜，洪作的老父亲隼人（三国连太郎 饰）讣告传来，不久前的探望竟成了永别。        父亲去世后，洪作的二妹桑子（南果步 饰）悉心照料着年迈的母亲八重（树木希林 饰），然而无情的时光正一天天销蚀着八重的记忆。1963年，八重生日的这天，伊上家族齐聚川奈酒店庆祝，洪作的大妹志贺子（木村绿子 饰）也随同丈夫明夫（小宮孝泰 饰）出席。无奈亲族聚首的喜悦与欢乐，似乎无法再感染记忆日渐稀薄的老母亲了。        转眼来到了1966年，年老健忘的八重变得越来越不被家人待见。婚后带着小宝宝满心喜悦回到故乡的郁子，最终以吵闹收场；因车祸被迫在家疗养的明夫又遭到八重的痛骂。迫不得已，洪作只得暂时将母亲接到自己的寓所，谁知母亲随口而出的玩笑又令琴子勃然大怒。之后八重变本加厉，转而指责起洪作教育子女的方法来。家里的矛盾不断升级，连一向辅佐父亲搜集材料的乖乖女纪子也首次对洪作和家人们大发雷霆。在琴子的提议下，洪作将母亲送往位于轻井泽的别墅，由专人照料。        1969年，伊上家族重新聚首，琴子已成为专业的摄影师，纪子也获得父亲的应允即将前往夏威夷留学。八重则日夜颠倒，再也分不清身边的亲人了。此次聚首勾起了洪作隐藏多年的心结，当年他从5岁的时候便被送往伊豆深山中，由曾祖父的小妾阿缝抚养，长达八年之久。在这次阿缝去世五十周年法会期间，八重嗫嚅着被阿缝夺走了儿子。母亲这番话触痛了洪作的神经，他愤怒地质问母亲，却发现母子间那深埋心中且绵亘多年不曾显露的情感。        缘聚缘散，伊原一家三代人，各自追索着心中渴望的情感与归依……

卯之吉は、将軍のお側取次役として働き出す。そんな中、薩摩藩の御用人・高隅外記は、アメリカ海軍のトマスと出会い、大量の武器購入の約束をする。英語通詞の半左から「平民の身でありながらも大統領になれる。その自由な発想が今のアメリカを形成している」ことを聞き、自分も日本で革命を起し、日本の大統領を目指すことを決心する。 そんな中、日本近海でアメリカ船が嵐で遭難し、一人のアメリカ人女性・アレイサが岸に流れ着くことで、その歯車は大きく狂って行く。成り行きで、卯之吉が遭難したアレイサを匿う中、江戸の沖に別のアメリカ軍艦が現れ、卯之吉が幕府の使節として赴くことに。その軍艦の司令官は遭難したアメリカの女性・アレイサを探し江戸沖に来ていたのだ。その頃、高隅は公家の栗ヶ小路と共に、浪人たちを古寺に集め大規模な幕府へのクーデターを準備する。 幕府は高隅たちのクーデターにより...

In 1968, Silvio Amadio directed L'isola delle svedesi (Island of the Swedes) (1969), the story which bordered on the dramatic and erotic genre about two lesbian women and the arrival of a third party in their menage, a young boy, which leads to tragic consequences. The script was by Roberto Natale, who had already worked with Mario Bava and who went on to write Peccati di gioventu (So Young, So Lovely, So Vicious...) for Amadio where the lesbian theme is tackled in a similar way to the previous film. 　　The female “special love” trend was a reality which was already consolidated in European cinema of this genre, following the huge success of Les biches by Claude Chabrol (1968) and Le salamandre by Alberto Cavallone (1969). This was a popular theme with the audiences and in the case of Peccati di gioventu includes the attraction represented by Gloria Guida, an actress who was rising to stardom and who owed her film debut to Silvio Amadio who discovered her and brought out the best in her more than any other director. Alongside Gloria Guida was the beautiful Dagmar Lassander, who also created a chromatic contrast (the blonde Guida, Lassander the red-head), which in the erotic scenes interpreted by them with the wild and contaminated natural landscape of Sardegna (where the film is set) as background, the fascinating vision of everything (it must be mentioned that the images of their “intimate moments” the actresses experienced together in the film were published in many glamour magazines of that time causing a great stir). 　　Silvio Amadio's film, not only in the formal beauty or the exploitation aspect, disguises the interest because even the structure of the psychological nature of the characters and the game played by them are described in great detail by the script written by Roberto Natale. Invisible for many years, Peccati di gioventu can be seen for the first time in home video format, in the original uncut version.

In 1968, Silvio Amadio directed L'isola delle svedesi (Island of the Swedes) (1969), the story which bordered on the dramatic and erotic genre about two lesbian women and the arrival of a third party in their menage, a young boy, which leads to tragic consequences. The script was by Roberto Natale, who had already worked with Mario Bava and who went on to write Peccati di gioventu (So Young, So Lovely, So Vicious...) for Amadio where the lesbian theme is tackled in a similar way to the previous film. 　　The female “special love” trend was a reality which was already consolidated in European cinema of this genre, following the huge success of Les biches by Claude Chabrol (1968) and Le salamandre by Alberto Cavallone (1969). This was a popular theme with the audiences and in the case of Peccati di gioventu includes the attraction represented by Gloria Guida, an actress who was rising to stardom and who owed her film debut to Silvio Amadio who discovered her and brought out the best in her more than any other director. Alongside Gloria Guida was the beautiful Dagmar Lassander, who also created a chromatic contrast (the blonde Guida, Lassander the red-head), which in the erotic scenes interpreted by them with the wild and contaminated natural landscape of Sardegna (where the film is set) as background, the fascinating vision of everything (it must be mentioned that the images of their “intimate moments” the actresses experienced together in the film were published in many glamour magazines of that time causing a great stir). 　　Silvio Amadio's film, not only in the formal beauty or the exploitation aspect, disguises the interest because even the structure of the psychological nature of the characters and the game played by them are described in great detail by the script written by Roberto Natale. Invisible for many years, Peccati di gioventu can be seen for the first time in home video format, in the original uncut version.

暂无剧情简介

狙击手警官杰克钱德勒(史蒂文·席格)带领的特种小分队，被发送到远程阿富汗村庄中营救一个被塔利班扣押的美国国会议员。救援行动是成功,但分离与敌人交火…

同母异父的三兄弟，16岁的保罗，15岁的马蒂，7岁的波蒂，分别被带到不同的地方养大。这个暑假，他们将要一起回到外婆诺拉家，参加母亲的葬礼。在外婆家的度假让他们第一次团聚在一起。在栗子粥与兔子、小秘密与鬼主意、冒险与捣蛋之间，三人间的手足之情日益浓厚。

1948年，“五一口号”发表后，以童江南教授为代表的在中国香港的一批爱国民主人士，积极响应共产党的召唤，准备回到解放区。国民党反动派对此横加阻挠破坏，并派张少幕等人意图控制教授等人，苏行曾经是童江南教授的学生，接到组织的任务，赴中国香港护送民主人士回解放区，在港与国民党反动派展开了一场生死较量。苏行刚到中国香港，敌人就杀害了负责联络童教授的大公报副主编涂哲，这给他的工作造成极大困难。为了尽快护送童教授等人回解放区，苏行从追查杀害涂哲的凶手入手，挖出了张少幕的直接联络人党勋琦，发现了暗藏的敌人“蜜蜂”，阻止了张少幕带童教授离港的计划，解救了被张少幕绑架的童教授和他的女儿童笙。在驶往烟台的船上，彻底制服了企图炸船的张少幕，成功地将童教授等民主人士安全护送回解放区。

该片由最高人民法院影视中心、联播聚客（北京）国际传媒有限公司联合出品，山东省青岛市中级人民法院、青岛市即墨区人民法院联合摄制。影片通过讲述一个…

五（1）班宋辉看了电影《佐罗》后，在学校里对他认为不公之事进行“报复”。新班主任林颖刚上任就受到宋辉等同学的“考验”。林老师以其全身心的爱获得了同学们的信任。全班同学不仅成绩上去了，而且也初步懂得了要关心他人，关心弱者，关心社会。继任班主任俞老师，对差生抓得很紧，为学生补课甚至忘了去托儿所接孩子，但方法比较生硬。后来，同学们发现俞老师苦口婆心是为了大家，便去说服幼儿园园长答应给俞老师的孩子全托。在大家共同努力下，胖胖的养花小论文在花卉研讨会上宣读，得血液病的赵小风受到全校关注，在专门为他举办的独唱音乐会上他唱出了对生活的向往及对祖国深深的爱。